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When choosing a Game Master screen, the first difference that usually stands out is its height. Our Regular screen is approximately 25 cm tall, while the Large reaches around 31 cm, close to the height of an A4 sheet placed vertically. Six centimetres may not sound like much, but at the gaming table they can significantly change how the Game Master sees the players, checks their notes and interacts with maps and miniatures. However, there is no single size that is better in e

A wooden object can be perfectly built, sanded and assembled, but it is during the finishing process that it truly begins to develop its own character. In our workshop, this stage is not simply about applying an even coat of colour. For our Tavern screen, Mitsuki works across the surface using a succession of plaster, pigments, glazes and bitumen, creating variations, shadows and subtle marks that add depth to the entire structure. The goal is not to make the wood look neglec

Matteo and the Silent Intelligence of Craftsmanship In this short video, we showcase a part of the work that often remains hidden: not because it is secret, but because it is difficult to explain. You can see Matteo's hands as they work on one of our Book of Ancient Legends. We could describe the scene in technical terms: cutting, sanding, milling, finishing, edge control, surface preparation. All of this would be true. But it would also be insufficient. Because in those gest

There are processes that stand out more, and others that are less visible. What Mitzuki is currently working on is one of those less visible ones, which often go unnoticed even by the most detail-hungry eyes. Once the sculpture is placed on the back of the Book of Necromancer, we mix a special two-component paste that helps to blend the sculpture with the screen; in this way, the visual result is of a sculpture that is part of the screen and not simply glued on. This process

How We Hand-Bind Our Journals Another hidden aspect of our work is the manual binding with needle and thread. In this case, what we seek is the antiqued appearance, seemingly fragile and slightly worn of our Journals. Before this step, we color the sheets one by one to achieve the desired tones on our pages; there are various color layers followed by a targeted drying process to obtain a certain waviness and texture of the paper. This is also made possible by the use of parti